His touch was delicate yet firm, capturing the "opera-like" drama of the second movement (Larghetto) with breathtaking sensitivity. The way he handled the recitative sections felt like a private conversation with the audience. Noseda and the LSO provided a lush, sonorous backdrop that perfectly complemented Cho's crystalline fingerwork. For the encore, his rendition of the Chopin Waltz Op. 70 No. 2 was a masterclass in rubato, wistful, elegant, and deeply moving. It was one of those rare moments where the entire hall seemed to hold its breath together.