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ChladniSonify: A Visual-Acoustic Mapping Method for Chladni Patterns in New Media Art Creation

์ž‘์„ฑ์ž
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์ €์ž

Yakun Liu, Hai Luan, Dong Liu, Zhiyu Jin

๐Ÿ’ก ๊ฐœ์š”

๋ณธ ๋…ผ๋ฌธ์€ ์ƒˆ๋กœ์šด ๋ฏธ๋””์–ด ์˜ˆ์ˆ  ์ฐฝ์ž‘์—์„œ ์‹œ๊ฐ๊ณผ ์ฒญ๊ฐ ๊ฐ„์˜ ์ฃผ๊ด€์ ์ธ ๋งคํ•‘ ๋ฌธ์ œ๋ฅผ ํ•ด๊ฒฐํ•˜๊ธฐ ์œ„ํ•ด Chladni ํŒจํ„ด์„ ํ™œ์šฉํ•œ ChladniSonify๋ผ๋Š” ์‹ค์‹œ๊ฐ„ ์‹œ๊ฐ-์Œํ–ฅ ๋งคํ•‘ ๋ฐฉ๋ฒ•์„ ์ œ์•ˆํ•ฉ๋‹ˆ๋‹ค. Kirchhoff-Love ํŒ ์ด๋ก ์— ๊ธฐ๋ฐ˜ํ•œ ์ˆ˜์น˜ ํ”„๋กœ๊ทธ๋ž˜๋ฐ๊ณผ ANSYS ์œ ํ•œ์š”์†Œ ์‹œ๋ฎฌ๋ ˆ์ด์…˜์„ ํ†ตํ•ด ๋ฐ์ดํ„ฐ์…‹์„ ๊ตฌ์ถ•ํ•˜๊ณ , CBAM ๋ชจ๋“ˆ์ด ํ†ตํ•ฉ๋œ ๊ฒฝ๋Ÿ‰ CNN์„ ์‚ฌ์šฉํ•˜์—ฌ Chladni ํŒจํ„ด์˜ ๊ฐ€๋Š” ๋งˆ๋””์„ ์„ ์ •๋ฐ€ํ•˜๊ฒŒ ๋ถ„๋ฅ˜ํ•ฉ๋‹ˆ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ์‹ค์‹œ๊ฐ„ ์ƒํ˜ธ์ž‘์šฉ์— ์ ํ•ฉํ•œ ๋‚ฎ์€ ์ง€์—ฐ ์‹œ๊ฐ„์œผ๋กœ ํŒจํ„ด์„ ์ธ์‹ํ•˜๊ณ  ํ•ด๋‹น ์Œํ–ฅ ์ฃผํŒŒ์ˆ˜์— ๋งคํ•‘ํ•˜๋Š” ์—”๋“œํˆฌ์—”๋“œ ์‹œ์Šคํ…œ์„ ๊ตฌํ˜„ํ–ˆ์Šต๋‹ˆ๋‹ค.

๐Ÿ”‘ ์‹œ์‚ฌ์  ๋ฐ ํ•œ๊ณ„

โ€ข
Chladni ํŒจํ„ด์„ ํ™œ์šฉํ•˜์—ฌ ์‹œ๊ฐ๊ณผ ์ฒญ๊ฐ ๊ฐ„์˜ ๊ฐ๊ด€์ ์ด๊ณ  ์ œ์–ด ๊ฐ€๋Šฅํ•œ ๋งคํ•‘ ๋ฉ”์ปค๋‹ˆ์ฆ˜์„ ๊ตฌ์ถ•ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
โ€ข
๊ฒฝ๋Ÿ‰ CNN๊ณผ CBAM ๋ชจ๋“ˆ์„ ํ†ตํ•ด ๋†’์€ ์ •ํ™•๋„์™€ ๋‚ฎ์€ ์ง€์—ฐ ์‹œ๊ฐ„์œผ๋กœ Chladni ํŒจํ„ด์„ ์‹ค์‹œ๊ฐ„์œผ๋กœ ๋ถ„๋ฅ˜ํ•˜์—ฌ ๋ณต์žกํ•œ ์‹œ๋ฎฌ๋ ˆ์ด์…˜ ๋ฐ ๊ณ„์‚ฐ ๋ถ€๋‹ด์„ ์ค„์˜€์Šต๋‹ˆ๋‹ค.
โ€ข
์ด๋ก ์  ์ฃผํŒŒ์ˆ˜์™€ ์ผ์น˜ํ•˜๋Š” ๋งคํ•‘ ๊ฒฐ๊ณผ๋ฅผ ๋ณด์ด๋ฉฐ, 50ms ๋ฏธ๋งŒ์˜ ์—”๋“œํˆฌ์—”๋“œ ์ง€์—ฐ ์‹œ๊ฐ„์œผ๋กœ ์‹ค์‹œ๊ฐ„ ์ƒํ˜ธ์ž‘์šฉ ์˜ˆ์ˆ  ์ฐฝ์ž‘์— ๊ธฐ์—ฌํ•  ์ˆ˜ ์žˆ๋Š” ์žฌํ˜„ ๊ฐ€๋Šฅํ•œ ํ”„๋กœํ† ํƒ€์ž…์„ ์ œ๊ณตํ•ฉ๋‹ˆ๋‹ค.
โ€ข
๋ณธ ์—ฐ๊ตฌ๋Š” Chladni ํŒจํ„ด ์ž์ฒด์˜ ๋ฌผ๋ฆฌ์  ํŠน์„ฑ์— ์ง‘์ค‘ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ, ๋‹ค์–‘ํ•œ ์˜ˆ์ˆ ์  ํ‘œํ˜„์„ ์œ„ํ•œ ๋”์šฑ ํ’๋ถ€ํ•˜๊ณ  ๋ณต์žกํ•œ ์Œํ–ฅ ๋งคํ•‘ ๊ทœ์น™์ด๋‚˜ ๋‹ค์–‘ํ•œ Chladni ํŒจํ„ด ์ƒ์„ฑ ๋ฐฉ์‹์— ๋Œ€ํ•œ ํƒ์ƒ‰์€ ํ–ฅํ›„ ๊ณผ์ œ๋กœ ๋‚จ์Šต๋‹ˆ๋‹ค.
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