This paper presents Baoyang Chen's large-scale installation, "Symbiosis of Agents." This work explores the tension between mechanical agency and artistic authorship by placing AI-powered robots in an immersive, mirrored space. Inspired by early cybernetics, rule-based conceptual art, and pioneering robotics, it creates a fluid exchange between robotic arms, quadrupedal machines, the environment, and the viewer. A three-tiered belief system (micro-tactic, meso-narrative, and macro-ground rules) governs the ecosystem, allowing behavior to organically evolve based on environmental cues and the viewer's responses, making the viewer a co-author of the unfolding drama. Set against a hypothetical terraforming scenario that evokes the historical exploitation of alienated labor, the work questions who bears responsibility in an AI-mediated future. Choreographed movements, AI-generated scripts, responsive lighting, and drifting fog portray the robots as collaborators rather than tools, creating a living, novel work of art. Internationally exhibited, "Symbiosis of Agents" demonstrates how cybernetic feedback, robotic experimentation, and conceptual rule-making are redefining agency, copyright, and ethics in contemporary art.